Installation for the III biennal of spanish architecture Madrid-Comillas. 1995-1997. Exhibiting architecture raises two fundamental questions: what is it that is likely to be communicate? And how to create another superimposed architecture wich accepts its fugacity as something positive, wich takes it meaning from this? It proved attractive to arrange the 28 works in the biennial as a group of discoursing automata capable, through their disposition, scale and variety, of building another spatial experience, which invites us to pass, look, hear, study, choose or collide with some more specialized place. In contrast to traditional or more hyper-technified exhibition systems, the immediate model of the talk or conference with slides- light and voices in a semi –dark hall- undoubtedly promises more effective and intense transmission of the architecture. It seemed beguiling to have that virtual space constructed by the stroller himself as he approached the automata, that wanderer would activate all the devices and each time construct a different visual and acoustic experience, both personal and individual, thereby implicating subject and objects. But this architecture of colors and sounds built with the hope of another architectures, needs a support which gives it meaning and naturalness. The pavement conceived by Gerard Richter obviated the need for further effort: the same identification could emerge from it traditional architectures have their natural support, this celebration of fantasy constructed through the fantasies of others. This magic carpet would deposit us in each place, reacting always in a different way: in Comillas playing with the byzantine and jesuitical modernismo of Doménech i Montaner; in Madrid resisting the affirmative sense of the civic architecture of Secundio Zuazo...